The two houses in the Rindermarkt are demolished. Li is engaged by the St. Gallen Stadttheater. With the help of poet J.M. Seiler, H.R.G. finds a large room in a shared apartment, again in a condemned house n the Alte Feldeggstraße in Zurich, where he continues to paint small landscapes in oil. Gallery owner Bruno Bischofsberger visits H.R.G. in his studio and buys a series of ink drawings and oil paintings. He advises H.R.G. to number and photograph all his works. H.R.G. participates in the exhibition Hommage à Che in the Galerie Stummer, Zurich.

HR and Friedrich Kuhn.

HRG’s painting “Friedrich Kuhn II”, 1973.   The photo that Giger used for the painting.


1969

H.H. Kunz, friend, collector and co-owner of Switzerland’s first poster publishing company, prints H.R.G.’s first posters and distributes them world-wide.

Jörg Stummer includes two silk-screen prints in his catalogue.

Bruno Bischofsberger publishes the large silk-screen portfolio Biomechanoids 1969. H.R.G. makes his first and, to date, last, excursion into theater designing costumes and make-up for the actors in Edward Bond’s Early Morning, a Peter Stein production at the Zurich Schauspielhaus.

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